querida querida

resistindo ao paraíso, desde 1986.
The problem with the world is that the intelligent people are full of doubts, while the stupid ones are full of confidence. Charles Bukowski   (via beautyisanillusion)

(Fonte: mostlydepressed, via beautyisanillusion)

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uk-music:

The Smiths | Unloveable

Era perfectamente natural que te acordaras de él a la hora de las nostalgias, cuando uno se deja corromper por esas ausencias que llamamos recuerdos y hay que remendar con palabras y con imágenes tanto hueco insaciable. Julio Cortázar (via imnotespecial)

(Fonte: 15strangers, via imnotespecial)

taken from ”gadające głowy” (aka “talking heads”), krzysztof kieślowski, 1979.

taken from ”gadające głowy” (aka “talking heads”), krzysztof kieślowski, 1979.

distancetouch:

“Tarkovsky told me that he always sees Seven Samurai before shooting his new films. This is to say that I always always see his Andrei Rublev before shooting.”

distancetouch:

“Tarkovsky told me that he always sees Seven Samurai before shooting his new films. This is to say that I always always see his Andrei Rublev before shooting.”

(via fuckyeahdirectors)

fuckyeahdirectors:

Francis Ford Coppola on the set of “Apocalypse Now”

fuckyeahdirectors:

Francis Ford Coppola on the set of “Apocalypse Now”

(Fonte: grizzlybarron)


“Flapper “
The notorious character type who bobbed her hair, smoke cigarettes, drank gin, sported short skirts, and passed her evenings in steamy jazz clubs, where she danced in a shockingly immodest fashion with a revolving cast of male suitors.”
“The New Woman of the 1920s boldly asserted her right to dance, drink, smoke, and date— to work her own property, to live free of the strictures that governed her mother’s generation. (…) She flouted Victorian-era conventions and scandalized her parents. In many ways, she controlled her own destiny”

Flapper

The notorious character type who bobbed her hair, smoke cigarettes, drank gin, sported short skirts, and passed her evenings in steamy jazz clubs, where she danced in a shockingly immodest fashion with a revolving cast of male suitors.”

“The New Woman of the 1920s boldly asserted her right to dance, drink, smoke, and date— to work her own property, to live free of the strictures that governed her mother’s generation. (…) She flouted Victorian-era conventions and scandalized her parents. In many ways, she controlled her own destiny”

(Fonte: giulsvln)

CREPAX, G. História de O.. Lisboa: Edições Sérgio Guimarães, 1976. 

CREPAX, G. História de O.. Lisboa: Edições Sérgio Guimarães, 1976.